2 only features six songs, all of 'em are real barn-burners, and only one clocks in at less than seven-minutes-plus, leaving plenty of time for Winter's extended slide-guitar jams. Robert Johnson's 'Crossroads' is guitar-driven romp across the Delta, while Hendrix's 'Red House' is the perfect showcase for Winter's explosive guitar technique.Īlthough Live Bootleg Series, Vol. With Paris blastin' away at the harp, Winter uses every inch of the 15-minute performance to paint a complex portrait of the blues, combining his passionate vocals with a variety of single-note leads, incredible slidework, and tough riffs. It's the obscure Willie Brown cover, 'Mississippi Blues,' that acts as the centerpiece of Live Bootleg Series, Vol. King song 'Rock Me Baby' features Winter's bluesy Texas drawl belting out the lyrics, supported by some frenetic riffing and booming drumbeats. Paris and Bobby T add a wide, loping groove to Allison's 'Parchman Farm,' Johnny laying his excited leads atop the rhythm. Winter's own 'Black Cat Bone,' for instance, is a Chicago-style rave-up with dancing fretwork and a steady shuffling beat, complimented by Paris' solid harp playing. Winter's performances here are reckless, rockin', and a heck of a lot of fun.

King, Mose Allison, Jimi Hendrix, and Robert Johnson as well as an a song by obscure bluesman Willie Brown, and a lone Winter original. 2 features Winter's take on songs by legends like B.B. Johnny Winter’s Live Bootleg Series, Vol. 2 offers up a red-hot and scorching set list of Winter's favorite blues songs. Recorded with a power trio that included bassist Jon Paris, who toured with Winter circa 1978 to '89, and drummer Bobby T, Live Bootleg Series, Vol. 2 is the second collection of live material culled from Winter's private collection. Winter has always been his best in a live atmosphere, and the fretburner has released a number of dynamic live sets on vinyl and CD throughout his career.

Working with Alligator, Winter created a number of albums such as Third Degree and Guitar Slinger that have since become considered classics of hard blues. In the early 1980s, Winter began his slow turn towards the blues, leaving Columbia Records after more than a decade and signing with noted blues label Alligator Records.

Winter released a number of critically-acclaimed blues-rock and roots-rock albums throughout the 1970s, including Second Winter and Still Alive and Well with Rick Derringer. Winter's self-titled label debut was released by Columbia in 1969. Winter subsequently signed with New York club owner Steve Paul's for management and grabbed a label deal with Columbia Records. Rising out of the Beaumont, Texas bar scene, a 1968 Rolling Stone magazine article propelled the young bluesman to national prominence. When blues-rock guitarist Johnny Winter first hit the scene back during the late 1960s, audiences had no idea of what to make of the albino whirlwind from Texas.

Johnny winter live